Starting from the word History, the installation treats this concept, highlighting what could be characterized as derisive, the “flexibility” and eventually the subjectivity, to which the term is potentially susceptible. Suspended from the wall, the tubes offer the viewer the option to choose whether and where to intervene.

The work aspires to remain “open” to multiple readings, which include concepts such as loss and memory, war and migration, events that constantly mark the course of History. In a sense, the project seeks to visualize the transition from one single and "impartial" History to multiple, little stories of everyday people.